That Drifting Poo Was Far Too Meaningful! It's the Television Letdowns of the Past Year.

As we reflect on the television landscape of the recent year, a selection of shows stand out not for their excellence, but for their spectacular shortcomings. From awkward spin-offs to bafflingly bad documentaries, here are the productions that left us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this divisive follow-up? Plagued with dreadful scripts, painful arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. For a moment, as the third season began, it looked like it had at last hit its stride. Then arrived an episode centered on Seema’s natural deodorant. Little surprise the creator declared this would be the final series. It concluded on a low point; the closeup of Miranda’s loo full of poo was just way too on-the-nose. Yet, fans certainly found joy picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this show's issues. The subject of a exceedingly uncommon no-star review, it was hard to know where to begin listing the flaws. The hilariously leaden dialogue? The mind-numbing glorification of affluence and materialism? The seemingly deliberate procession of cliches? Performances so poor they felt borderline malicious? Let’s just say “each and every one” and never speak of this show again. However, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence claims and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various bouts of reckless hedonism while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any pity this show might evoke should be reserved for the people who have had to suffer proximity with this charismatic but dismissive egotist.

The Iris Affair

Naturally we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

MobLand

Shady figures meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate baffling accents. But there were many other issues. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Given the extent to which she provokes the ire of certain performatively angry commentators, it’s almost easy to admire the Duchess of Sussex’s various forays into quaint homemaking as intentional statements. But then you watch them and are forced to admit that actually, they might have a point. It’s like watching a homeware magazine animated; a meme for wine o’clock with ideas of grandeur; a procession of sleeping dogs, humming beehives, sentimental platitudes and pointless crafting “hacks” you’ll not remember instantly. All supported by immense, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with career, self-image, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Instead, the experience was like reading a sales brochure. She obviously has every right to resent what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The series ended up smelling of a production that was straining desperately to emulate something way beyond it.

Too Much

How does one succeed a show that defined a generation? The pressure was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the abundance of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd recruitment of gifted emerging comics, hopes were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series struggled painfully to find the right tone, lurching from strangely jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We love the star … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? No! This international thriller about government agencies spying on – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for sexual exploits as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was way more interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to drag her son out of the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Michael Gilbert
Michael Gilbert

Elena is a seasoned journalist with a passion for uncovering global stories and sharing diverse perspectives on current events.